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Flatpicking Guitar Magazine - The Mandolin Player's Practical Guide to Scales & Arpeggios

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Scales and Arpeggios form the foundation of all song melodies, arranged solos, licks, phrases, and improvisations on the guitar. If you are familiar with scales and arpeggios, and know how to use them, your ability to arrange and improvise your own solos will be greatly enhanced. Scale knowledge is the road map that can take you anywhere you want to go in music.

This new 148 page book (with 136 audio tracks on 2 CDs) by Dan Miller and Tim May not only teaches you how to learn scales in a way that is easy, fun, interesting, and informative, it also shows you how to practically apply scales when learning new melodies, embellishing those melodies to create your own solos and variations, and in exploring improvisations.

Most books that present scales and arpeggios will display scale patterns all up and down the neck and address many keys and many different scales (major, minor, pentatonic, diminished, whole tone, bebop, etc). This approach tends to provide too much theory and not enough practical information about how these scales can be put to practical use right away.

"The Mandolin Player's Practical Guide to Scale and Arpeggios" focuses on the open position (first seven frets) and the G major, G major pentatonic, G major blues, G minor pentatonic, and G minor blues scales. The goal here was to really dive in and explore the most useful scales for playing American roots music in the most common key and the most common position. By using this approach the authors not only have allowed themselves time and space for a very thorough examination of these scales through many, many exercises and examples, but they additionally provide a clear cut method for exploring and applying the same examples in a variety of keys and scales types. In other words, once you have mastered the G scales in the open position, you can easily use the same method to study any scale in any key at any position on the neck.

The scale study method in this book uses six phrases as follows:
1) Scale pattern study and practice
2) Melody recognition practice
3) Improvisation practice
4) Scale mode practice
5) Scale interval practice
6) Ear training practice

The book is broken down into four sections ("The Big Four"): straight scales, folded scales (scale patterns), harmonized scales, and crosspicking arpeggios. By presenting scale and arpeggio knowledge in these six phases and four categories, the authors are able to clearly demonstrate how a knowledge of scales and arpeggios can be easily and practically employed.

Table of Contents:

Introduction
Practice Suggestions
The "Big Four"

Major Scales
    The G Scale Open Position, Lower Octave
    The G Scale Open Position, Lower Octave, Ascending and Descending
    G Major Scale Open Position Lower Octave Example Exercises
    Finding Melodies
    "When the Saints Go Marching In"
    Finding the Melody Guidelines
    Scale Improvisation Practice
    Finding Major and Minor chord Tones
    A Word About Improvisation
    Ear Training Exercises
    The G Scale Open Position, Higher Octave
    The G Scale Open Position, Higher Octave, Higher Octave Example Exercises
    The G Scale Open Position, Lower and Upper Octaves
    "She'll Be Coming Around The Mountain"
    Mode Scales
    Matching Mode Scale Patterns to a Chord Progression
    Mode Scale Practice
    Intervals
    Intervals in the Key of G
    Playing Intervals Relative to the Root
    Song Association
    Interval Exercises
    Open Position Major Scales in Other Major and Minor Keys
    Scale Practice Checklist

Folded Major Scales
    Exercise 1: 4-Note Folded Scale #1
    Exercise 2: 4-Note Folded Scale #2
    Exercise 3: 4-Note Folded Scale #3
    Exercise 4: 3-Note Folded Scale #1
    Exercise 5: 2-Note Folding Thirds #1
    Exercise 6: 4-Note Folding Thirds
    Exercise 7: 6-Note Folded Scale
    Exercise 8: 3-Note Folded Phrases 1
    Exercise 9: 3-Note Folded Phrases 2
    Exercise 10: 3-Note Folding Phrases 3
    Exercise 11: Straight and Folded Scale Combined 1
    Exercise 12: Straight and Folded Scale Combined 2
    Exercise 13: Straight and Folded Scale Combined 3
    Exercise 14: Straight and Folded Scale Combined 4
    Exercise 15: Straight and Folded Scale Combined 5
    Song Example: Forked Deer (A Section)
    Exercise 16: Patterns from Songs 1
    Song Example: Forked Deer Variation 1
    Song Example: Forked Deer Variation 2
    Exercise 17: Patterns from Songs 2
    Song Example: Blackberry Blossom (A Section)
    Song Example: Blackberry Blossom Variation
    Exercise 18: Patterns from Songs 3
    Exercise 19: Patterns from Songs 4
    Exercise 20: Patterns from Songs 5
    Exercise 21: Patterns from Songs 6
    Using Scales and Folded Scales to Embellish Melody
    "Arkansas Travler" - Melody
    "Arkansas Travler" - Using Scales and Folded Scales
    "Turkey In The Straw" - Melody
    "Turkey In The Straw" - Using Scales and Folded Scales
    "She'll Be Coming Around The Mountain"
    "Sailor's Hornpipe" - Melody
    Straight Scale and Folded Scale Example

The Major Pentatonic Scale
    The G Major Pentatonic Scale
    Folding The G Major Pentatonic Scale
    "Lonesome Road Blues" - Melody
    "Lonesome Road Blues" - Using just the Major Pentatonic Scale
    "Amazing Grace" - Melody
    "Amazing Grace" - Using just the Major Pentatonic Scale
    The C and D Major Pentatonic Scale

The Major Blues Scale
    The G Major Blues Scale
    Common G Major Blues Scale Licks
    Folding G Major Blues Scale
    "Lonesome Road Blues" - Using just the Major Blues Scale

Playing Major Scales Over Diatonic Chords
    Notes in the G Scale and Diatonic Chords
    Chromatic Clock
    Diatonic Chords in the Key of G
    Double Stops
    Finding Double Stops in Chord Shapes
    "Amazing Grace" - Using Double Stops
    "Lonesome Road Blues" - Using Double Stops

Harmonized Scales
    G Scale Harmonized Scales
    Harmonized Scales Example 1
    Harmonized Scales Example 2
    Harmonized Scales Example 3
    Harmonized Scales Example 4 - Using an Open Drone
    "Lonesome Road Blues" - Using a Few Harmonized Scales
    "Lonesome Road Blues" - Alternate Resolving Phrase
    "Arkansas Traveler" - Alternate Resolving Phrase to Part A
    C and D Scale Diatonic Third Intervals on B and E Strings

The Toggle
Examples of the Toggle
Wildwood Flower Example

Minor Scales
    G "Natural" Minor Scale
    G "Harmonic" Minor Scale
    G "Melodic" Minor Scale
    The Dorian Mode

Minor Pentatonic and Minor Blues Scales
    G Minor Pentatonic Scale
    G Minor Pentatonic Scale Open Position (Lower Octave)
    G Minor Pentatonic Scale Open Position (Higher Octave)
    G Minor Pentatonic Scale Open Position (Two Octaves) Folded Scales
    "Lonesome Road Blues" - Using the Minor Pentatonic Scale
    Improvising the Blues
    Improvisation Tips
    G Minor Blues Scale
    Folded G Minor Blues Scale
    Minor Blues Scales in Various Keys
    "Lonesome Road Blues" - Using Minor Blues Scale

Arpeggios
    Arpeggio Exercises
    Crosspicking Arpeggios
    Crosspicking Patterns
    G Chord Crosspicking Exercise
    Crosspicking Over I-IV-V Progression in G
    "Wildwood Flower" Example
    "Banks of the Ohio": Crosspicking
    "Home Sweet Home" McReynolds Style
    More Crosspicking Patterns
    String Skipping Crosspicking Exercises
    "Whiskey Before Breakfast" Harmonized Scale with Crosspicking
    Four-String Crosspicking Patterns

Harmoinzed Scales on Non-Adjacent Strings
    Harmonized Scale Non-Adjacent Strings Exercises
    Harmonized Scale Non-Adjacent String Exercise with Crosspicking

Chord and Arpeggio Summary

Appendix - The Rest Stroke